no2self.net

I’ve been itching to tell you about this for months, ever since Matt last put me up for the night at Hotel Webb and gave me a sneak preview. The other half of the ever-inspirational Schulze & Webb has published the results of his Bendy Maps research and the finished product is even more beautiful and game-changing than I ever imagined.

“Imagine a person standing at a street corner. The projection begins with a three-dimensional representation of the immediate environment. Close buildings are represented normally, and the viewer himself is shown in the third person, exactly where she stands.

As the model bends from sideways to top-down in a smooth join, more distant parts of the city are revealed in plan view. The projection connects the viewer’s local environment to remote destinations normally out of sight.”

A map projection that simultaneously places you in your current location and future destination, it offers all the potency of well understood mental wayfinding devices and imagery in one single drawing. The potential, as both a drawing technique for urban design proposals as well as real-time guide for travellers, is huge.

Those well understood devices of course include references to ancient, seminal texts such as Lynchian ideas of nodes, boundaries and paths etc., but in the title of the project itself – ‘Here & There’ – lies another connection to the world of mid-20th century urban design theory explored here in past entries: Gordon Cullen’s Townscape.

From our previous entry:

“Place…is concerned with our reactions to the position of our body in the environment. This is as simple as it appears to be. It means, for instance, that when you go into a room you utter to yourself the unspoken words ‘I am outside IT, I am entering IT, I am in the middle of IT’. At this level of conciousness we are dealing with a range of experience stemming from the major impacts of exposure and enclosure.

…

Arising out of this sense of identity or sympathy with the environment … we discover that no sooner do we postulate a HERE than automatically we must create a THERE, for you cannot have one without the other. Some of the greatest townscape effects are created by a skillful relationship between the two…”

Which you may remember was followed by a some other examples supported by the imagery in Chuck Jones’ Pepe Le Pew cartoons.

You can read more about bendy maps on the S&W blog and order your own copy on the official project page or read more about it in this month’s Wired UK. I’ll certainly be ordering a copy for my wall, but as beautiful as it is I still can’t help dreaming about a version rendered like a letratone covered Cullen sketch or Chuck Jones animation cell.

Provided mostly as a supplement to the latest post by The Sesquipedalist, I’ve dug out some old cover images from AD magazine in the 70s.

Much better qualified to explain the history of architectural journalism than I, The Sesquipedalist sets the scene:

During the “book business model” of the ’70s, where the magazine almost completely eschewed advertising, the covers became outlandish and featured Cedric Price, Archigram, Foster Associates, Buckminster Fuller, Royston Landau, Alvin Boyarsky, The Smithsons, Aldo van Eyck and some attractive ones too.

Another fascinating entry from a great blog, I encourage you to add it to your feed reader if you haven’t already. I’ll merely add the simple observation that the predominant use of illustration rather than photography serves the magazine well in its exploration of potential futures, ideas rather than things.

There’s much to learn from the 30 year old pages. Of particular interest to me have been the pleas by foresighted ecologists proposing basic environmental science improvements that are to this day dealt with as fringe concepts – such as the benefits of passive solar in the ‘Housing Provision’ issue of August 1976 by Gerald Foley. The landscape issue from the following month (cover by Ron Herron) contains a piece by Sutherland Lyall, whose name might be known to fellow bloggers thanks to his column in the Architectural Review on architecture web sites.  Which gives me another opportunity to thank him for his kind words back in November 2005:

I realise now that I’ve completely ignored his advice about using blogs for company websites.

The December 77 cover showing a beautiful Erskine drawing has been uploaded more extensively before, also you may like to contrast and compare these with somewhat more sombre approach taken by the AR during the same decade.

You can see all the covers I’ve uploaded over the last few years in a flickr collection.